The Cross Beside The Baltic The Cross Beside The Baltic (1815, ', ', ', ', ', ', ', '), 45 ?? 33.5 cm. Schloss Charlottenburg, Berlin. This painting marked a move away by Friedrich from depictions in broad daylight, and a return to nocturnal scenes, twilight and a deeper poignancy of mood The Cross Beside The Baltic (1815, ', ', ', ', ', ', ', '), 45 ?? 33.5 cm. Schloss Charlottenburg, Berlin. This painting marked a move away by Friedrich from depictions in broad daylight, and a return to nocturnal scenes, twilight and a deeper poignancy of mood
The Oak Tree in the Snow Gemälde IDENTIFIZIERUNG:: 58878
The Oak Tree in the Snow The Oak Tree in the Snow (1829). 71 ?? 48 cm. Alte Nationalgalerie, Berlin. Friedrich was one of the first artists to portray winter landscapes as stark and dead. His winter scenes are solemn and still??according to the art historian Hermann Beenken, Friedrich painted winter scenes in which "no man has yet set his foot". The Oak Tree in the Snow (1829). 71 ?? 48 cm. Alte Nationalgalerie, Berlin. Friedrich was one of the first artists to portray winter landscapes as stark and dead. His winter scenes are solemn and still??according to the art historian Hermann Beenken, Friedrich painted winter scenes in which "no man has yet set his foot".
The Stages of Life Gemälde IDENTIFIZIERUNG:: 58879
The Stages of Life The Stages of Life (Die Lebensstufen (1835). Museum der Bildenden K??nste, Leipzig. The Stages of Life is a meditation on the artist's own mortality, depicting five ships at various distances from the shore. The foreground similarly shows five figures at different stages of life The Stages of Life (Die Lebensstufen (1835). Museum der Bildenden K??nste, Leipzig. The Stages of Life is a meditation on the artist's own mortality, depicting five ships at various distances from the shore. The foreground similarly shows five figures at different stages of life
The Giant Mountains Gemälde IDENTIFIZIERUNG:: 58880
The Giant Mountains The Giant Mountains (1830?C35). 72 ?? 102 cm. Alte Nationalgalerie, Berlin. Friedrich sought not just to explore the blissful enjoyment of a beautiful view, as in the classic conception, but rather to examine an instant of sublimity, a reunion with the spiritual self through the contemplation of nature The Giant Mountains (1830?C35). 72 ?? 102 cm. Alte Nationalgalerie, Berlin. Friedrich sought not just to explore the blissful enjoyment of a beautiful view, as in the classic conception, but rather to examine an instant of sublimity, a reunion with the spiritual self through the contemplation of nature